Tales of New Serbia
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When Nathan Briggs's wife is diagnosed with terminal breast cancer, he sells his third-generation antiques business in New York City to give her what she has always wanted: a home in the country. They find a 19th-century house in upstate New York, in the foothills of the Adirondacks, and set about restoring it.
After his wife dies, Nathan — still considered an outsider by his neighbours — decides to remain in the house they brought back to life together. It is then that he discovers his new housekeeper is either a severely troubled woman, a figment of his imagination, or — as she insists — a woman who died in childbirth a hundred years before Nathan was born.
Quand la femme de Nathan Briggs est diagnostiquée d'un cancer du sein terminal, Nathan vend sa boutique d'antiquités troisième génération dans la ville de New York afin de donner à sa femme ce qu'elle voulait depuis toujours: une maison à la campagne. Ils trouvent une maison du dix-neuvième siècle dans le nord de l'État de New York, dans les contreforts des Adirondacks.
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Dennis Fishbourne likes to talk. He knows this. He is, in fact, proud of it. A bartender once told him he "told a pretty good story." Coming from a bartender, he took it as a high compliment.
Known to everyone simply as "Fish," Fishbourne is the Constable and sole police presence in the Township of New Serbia — a small town in the foothills of the Adirondacks that is slowly dying. When both a murder-suicide and a car accident cause three deaths in a single week, Fish faces a crisis of conscience about his abilities, his value, and his understanding of the place he has devoted his life to.
Dennis Fishbourne aime parler, et il en est conscient. En fait, il en est même très fier. Dennis Fishbourne, que tout le monde appelle "Fish", est policier municipal et seul représentant des forces de l'ordre de New Serbia. Un meurtre suivi d'un suicide, puis un accident de voiture mortel ont lieu la même semaine, ce qui amène Fish à faire face à une crise existentielle.
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Miss Margaret Mary Rooney has spent her entire seventy-three years in New Serbia — in the same Victorian house she was born in. Tall, self-possessed, never married, she has lived as a self-imposed outsider, marching to her own drummer and ignoring the gossip of narrow-minded neighbours.
The death of a woman Margaret Mary knew in high school awakens memories of the losses and missed opportunities of her own life. She spends Sunday dredging up the past — until what she learns at the wake forces a distressing, life-changing reevaluation of everything she thought she knew.
While James Japinski — known to all as "Jimmy Jeeps" — was still alive on Main Street, his grave in the New Serbia Cemetery was already the largest monument in the grounds. It was also the only unoccupied one.
His empty grave became a secret gathering place for five young girls who used it to escape their parents and nosy neighbours. Now, more than forty-five years later, when Jimmy Jeeps finally dies, those five women come together to recall the days they spent at his grave — the days that made them as close as sisters.
Josephine Louise Baxter has lived all of her ninety-something years in New Serbia. She doesn't know exactly how old she is — and doesn't particularly care. What she does know is that she doesn't want, need, or expect any help from her relatives. She'll decide if and when she wants it.
Each night, alone in the dark of her bedroom, Grannie Josephine's mind travels back to the late 1920s, when she was eight years old — living next door to the brutal Mr. Schwanz and his daughter Yvonne, who became her babysitter, her confidant, and something like a mother. And always, the memory of a black JN-40 biplane, and its pilot, Jacques Yves — the one who changed everything.
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